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Tadzio Speaks . . . Death in Venice Revisited
by Martin Foreman

"I began to feel I possessed him. I recognised his clothes, how recently he had shaved,
the books and newspapers he read, the food he preferred."

"words always deeply poetic" Views from the Gods

In Thomas Mann's novella Death in Venice, memorably filmed by Luchino Visconti, the ageing Gustav von Aschenbach becomes obsessed with the beauty of a boy he sees on the beach, the fourteen-year-old Tadzio. Although the two never speak, a silent relationship grows between them, a relationship which binds the older man inexorably to Venice even as his health fails and the city is beset by cholera.

Death in Venice has become a modern classic, a discourse on beauty that can be interpreted on many levels - from art to philosophy, from age to eros - interpretations that inevitably change as each new generation imposes its own perspective on the attraction of youth and beauty for the old and undesired.

Whatever the broader implications of the story, two clearly defined individuals stand at its heart - the German writer Aschenbach and the Polish schoolboy Tadzio. Mann 's story allows us to peer deep into Aschenbach's soul, while Tadzio remains opaque. Yet if we accept the fiction that Aschenbach was real, we must also allow Tadzio life - and if we allow him life, we cannot help but wonder, what did the boy feel, what did he think?
Tadzio Speaks . . .  by Martin Foreman

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In Martin Foreman's masterful retelling of Death in Venice, we meet Tadzio decades later as he remembers that fateful summer. What went through the boy's mind when he realised what was happening? Did he welcome or resent Aschenbach's gaze? What impact did it have on his adult life? Finally, Tadzio Speaks . . .

A moving portrayal of adolescence and its impact on the years that follow. Includes background material on Mann, Death in Venice and the "real" Tadzio, as well as an afterword on the implications of the events on the Lido beach.

ISBN 978-0-9933546-1-8
soft cover, 52pp (app 45 mins on stage)

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Martin Foreman is the author of two novels (Weekend and The Butterfly's Wing), two short story collections (A Sense of Loss and First and Fiftieth) and several plays as well as non-fiction and journalism.

Tadzio Speaks . . . derives from the title story in A Sense of Loss, where Tadzio retells Death in Venice from his perspective. In the story Tadzio's age is indeterminate and there is no sense of the impact of the encounter with Aschenbach on the boy's later life. In the play Tadzio is in late middle age and there is a sense of his life as an adult.

Martin began acting in 2011 and has appearing on stage in London and Edinburgh and in short films. He has adapted several of his short stories for the stage (scripts available from Arbery Publications).

writing website: martinforeman.com               theatre / film website: martinforeman.me.uk

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